Book Release Plans

Ta-da! Cleaving Souls is almost done. Rough draft. Check! First round of edits and revisions. Check! Second round of edits and revisions. Check!

Now I just need to contact early readers, distribute copies to them, plan the release schedule, makeup release materials, contact book bloggers for a blog blitz or tour, organize with said bloggers, and record and edit the audiobook.

Geesh.

I’m also expanding out and trying my hand at editing some other people’s work. Gotta keep those editing skills sharp (or sharpen them up, as the case may be.) And I’m still plowing into the rough draft for The Glass Heist.

It’ll be interesting to see how my hard-earned experience with publishing Home To Roost affects this next book release. Fingers crossed for good things!

And speaking of good things, I’m looking forward to another blogger’s review of Home To Roost, this time on Southern Today, Gone Tomorrow.

In more personal news, we saw some family for the eclipse, which was great. There was a lot of cloud cover, so we didn’t see the eclipse, which was less-great. But oh well. We’ll just plan more carefully for the 2024 eclipse, I guess.

Review Thoughts

Okay. So, I have an idea, and a complaint. The idea, I can do something about. The complaint… well, it may just be the way things are.

But first, the idea.

I think that one of the biggest challenges is getting reviews. It’s this circular scenario where, to get a sale, you need a review. To get a review, you need a sale. Sure, you can twist some people’s arms and get them to read your book ahead of release, and then hopefully get some more reviews after release, but it’s still a tricky thing. I only got reviews from about 25 percent of my early readers, and thankfully have added a few more since then, but there needs to be more for this to work.

But life is busy and tricky, and when I’m asking someone to read my book, I’m competing with busy social, professional, and family lives for my potential reader’s attention. You’d either have to be an egomaniac or an idiot (or both) to expect people to give up that much time. Honestly, it’s totally awesome whenever anybody does it. I mean, if they read your story, they’re choosing that as entertainment over many, many, MANY other options.

So, I’ve had an idea. It seems to me that part of the problem is that people’s time is limited. However, people far cleverer than I have had ideas about how to get rid of that problem–multitasking. And the best way to multitask while “reading” is to not read at all. Nope! Instead, listen to an audiobook!

Now, I tried doing a professional reading of Home to Roost back before I’d even released the print/ebook edition. But I dropped the project. I have the materials available to do it (I think), but I’m not entirely positive that it would be high enough quality for Audible, and right now don’t want to go through the hassle of figuring out if it is or not.

But my epiphany was Hey! Why not do a good-enough audiobook? Not one to sell, necessarily, but one for my early readers? Maybe, just maybe, that would help expand the number of early readers that I have, and hopefully by quite a bit. Then (again, hopefully) I’d be able to get more reviews early on, and have more success with selling to other potential readers.

The nice thing about it is that I already do an out-loud reading as my final read-through before publication. All I need to do is setup a microphone and do some editing afterwards.

Anyways, that’s my plan. We’ll see how it goes.

My complaint is this: I got my first one-star review. It sucks. The reviewer warned all potential readers not to “waste their time” on Home to Roost.

Oh well. I knew that not everybody would love my work. Still stinks, though. She said it was too weird and dark. Of course, based on her Goodreads lists, it was the first time in her life she’d ever picked up a horror book. Unfortunately, my book was the one where she discovered that she didn’t like a genre.

The other thing is that Amazon gives me reports on how far people are reading in my books. It’s not that detailed of a report, but it gives me a solid idea. I know that my one-star-reviewer didn’t finish Home to Roost, and that’s perhaps the most upsetting bit. She read 75 percent of it in 3 days, which is way faster than I read most books–and especially faster than I read books that I don’t even like. But, then she stopped reading and warned others to do the same.

And that’s just lame. It’s like walking away from a joke before the punchline, and then telling people that the joke wasn’t funny. It’s like watching a biography of Ulysses S. Grant, then shutting it off halfway through and saying, “Yeah, that guy was totally lame. He showed promise early on, but then after the Mexican-American War was just a drunk and a failed businessman.”

Bah! And, by the way, she did say that my book showed promise early on.

Okay, complaint over. I’ll try to never do that again on here.

Lions and Tigers and Publishing

It’s almost been two weeks since I published my first novel, Home to Roost. It’s been quite a learning experience. For one thing, even when you’re publishing online, the actual process of publishing can be fairly involved. I don’t know what else I was expecting.

For indie publishing, a lot of people who are publishing on Amazon will use CreateSpace to do a paperback run of their book. It’s really easy to find reviews of CreateSpace’s services. I chose not to use CreateSpace, and instead used Amazon’s KDP Paperback program (it’s still in beta). Since CreateSpace is owned by Amazon anyways, I figured that the services wouldn’t be all that different.

Having never really used CreateSpace, I’m probably not qualified to do a very detailed review. However, I can say this: I’m perfectly happy with KDP Paperback. If you have a handle on formatting, are willing to look up a few terms, and have a couple of hours to fiddle and tinker, then you can get a fine paperback copy of your book printed.

As for royalties, I’ve seen quite a few people confused about how those would work for KDP paperback. I think I can break this part down:

You get 60%, minus production cost.

So, if your book costs $10, and costs $4.50 to print, then you’ll get $1.50 in royalties for every copy sold.
10 x 0.6 = 6 ; 6 – 4.5 = 1.5

It’s pretty simple.

For Home to Roost, I just set my prices so that I’d get roughly the same amount from royalties, whether a reader decided to purchase the paperback or the ebook edition.

Now, I had assumed that there would be much higher numbers of sales for ebooks compared to paperbacks–after all, $3 is quite a bit cheaper than $11.50. But I was wrong. They’re actually pretty even. I think that unless people own an e-reader, ebooks are just too uncomfortable for many people to read.

Anyways, I’ll do some more focused posts on what I’ve learned later. Be awesome til then.

 

Current Word Count: 354, 345